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92 ""Kathy, I'm lost", I said, though I knew she was sleeping I'm empty and aching and I don't know why Counting the cars on the New Jersey Turnpike They've all come to look for America" Antonioni didn't like what he found, so he decided to blow it up. Not a…
With each viewing, its dramatic "weaknesses" recede and its pure cinematic beauty resonates more clearly.
it's like a friend showing you a 10 minute youtube clip and he keeps telling you "nah dude trust me it gets good" except this movie's 113 minutes long
Sure, yeah, the leads are terrible and the dialogue betrays the fact that seemingly everyone with a remote connection to the project got a say in it, but this may honestly be, barring some rewatches of Antonioni films I wasn't prepared for at the time, my second favorite of…
like if an arthouse film was directed by michael bay
The end of a revolution marked by the victory of corporations. Men in suits drive a car in which the radio reads out the latest number of Americans dead in Vietnam, all while they compare the number of centimillionares in Los Angeles to that of Texas and New York. A boy…
The unease marriage between the counterculture and the European leftist interlooper, at least they both agree the US sucks but can be milked for some mythology. It is all mediated by some of Antonioni most exciting landscape work, the possibility and death becoming one and…
Made me drop out, get a tan, and name my child Banko Famerica. No regrets
Another round of “is all art political?” has hit the timeline thanks to the Boomer musings of cro-magnum man extraordinaire James Hetfield telling the world that Genocide is not worth speaking out against between songs ranging from hating your father to a heavier song about…