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From Oscar-nominated visionary filmmaker Baz Luhrmann comes Warner Bros. Pictures’ drama “Elvis,” the film explores the life and music of Elvis Presley (Austin Butler), seen through the prism of his complicated relationship with his enigmatic manager, Colonel Tom Parker (Tom Hanks). The story delves into the complex dynamic between Presley and Parker spanning over 20 years, from Presley’s rise to fame to his unprecedented stardom, against the backdrop of the evolving cultural landscape and loss of innocence in America. Central to that journey is one of the most significant and influential people in Elvis’s life, Priscilla Presley (Olivia DeJonge). Only in Theaters June 24, 2022.
- Austin Butler
- Tom Hanks
- Gary Clark Jr.
- Olivia DeJonge
- Shonka Dukureh
- Helen Thompson
- Richard Roxburgh
- Luke Bracey
Atom User Reviews
A very long movie that dragged in places. Some of the acting was very good. The sound effects were annoying at times. Some of the visual effects (split screens, maps etc.) were not necessary and didn’t add to the viewing experience in my opinion.
I think more of his songs should of been played
Elvis – in so many ways a sort of kitsch-art earnest version of Walk Hard – is to the traditional musician biopic what Las Vegas is to a traditional city. An idealized reality so manically constructed that it becomes a sort of grotesque, like an absurd parody of Americana rendered in pastel Formica and crushed velvet. It’s real sicko shit, and in that sense it’s hard not to love it.
Elvis seems perfectly content being a glitzy, bejeweled extravaganza, even when the film’s nearly three-hour runtime leaves its energy — which never fully recovers after the first half — waning by the end.
Elvis is the Baz Luhrmanniest film Baz Luhrmann has made yet, a compilation of his greatest filmmaking hits, all employed for a film as excessive and grandiose as Elvis himself. Though the framing device doesn't always work, Austin Butler's stunning performance, lavish production design, and comic book-like editing make for a movie not unlike one of Elvis' own — full of personality, kind of empty, but undeniably enjoyable.