Concessions

I don’t know if I’ve mentioned this before but I work in an independent cinema and I have just seen this film in said independent cinema and I truly love my life Absolutely hilarious this, Wes Anderson meets Richard Linklater meets The Big Lebowski meets a number of…

David Harrold

Everything comes to an end. It's kind of fitting for this to be Michael Madsen's final role, the movie itself being a meditation on the ending of things, without really knowing whats next. Movies like Consessions are quite rare and when they come around we should give them…

Daniel Film Therapy

i really really hope this becomes at least somewhat big – because it's so so great, especially for a first feature. felt really close to rushmore / juno / napoleon dynamite – but still very original and clearly its own thing. please everyone watch this whenever it…

Jude

Personally I liked the fatphobic jokes

Olive

adored this! yes to films shot on 16mm! yes to going to the cinema! yes to romantic realism and ensemble casts!  brilliant script and so beautiful to watch, loved the inter titles, I hope many people get to watch this (in the cinema !!) & shoutout tess for a brilliant…

arouny

7.25/10 easily the best in competition film I've seen so far at EIFF78 (EDIT: I did think Two Neighbours was marginally better than this and Blue Film was one of the best of the fest!). It's beautifully shot, written and performed. Feels like this millenium's 'Clerks'. I…

Gavin Turner

Directed by my dear friend Mas. Presented in a gorgeous 35mm print at the Village East by Angelika. A love letter to the cinema in the purest form. So proud of Mas.  Much love to the cast and crew for bringing the vision to life.

KF

CIFF25 #3 YIPPPEEEEEEEE MOVIES ARE AWESOME This was shot like a dream and is absolutely gorgeous Micheal Madsen gets the coolest cinematography, a fitting goodbye I really really liked the middle segment with the monologue guy. I had a smile on my face for the whole…

CALLIE

EIFF Film #6 A film which not only wears it’s influences on it’s sleeve but seems to be a love letter to said influences (made only the more apparent by the end with special thanks to a number of filmmakers). Listing said filmmakers would perhaps be a worthless experience,…

Jack (foundinframes)