433
221
166
63
58
Good movie went too heavy on the woke stuff
#verydisappointing
Nia DaCosta, young director of the fine Little Woods, is behind the camera and she shows a real gift for gruesome showboating.
By the end of this new Candyman, little personal investment remains for the audience, just a miasma of provocative thoughts failing to cohere into something greater. The film has enough visual panache to make it an involving watch, but it struggles to live up to the audaciousness of its deeper ideas.
Candyman pays homage to the original, while still maintaining its uniqueness with a fresh and provocative plot