It’s arguable that Celina’s emotional distance is a true reflection of how working class women manage their feelings in order to cope. But it could be dissatisfying to a viewer craving to see women’s interior lives; their pain rather than their resilience.

Concepción de León

The New York Times

Feliciano’s effort is particularly marred by hackneyed tropes. Whether it be that Latino fathers operate out of the same withered copy of a machismo manual or the simple assertion that kids simply “need a father,” Women Is Losers certainly won’t win over those yearning for something new.

Women Is Losers is an infectious and auspicious debut.