- 1hr 48m
- 1hr 48m
Videos & Photos
Movie Info & Cast
- Audrey Hepburn
- Alan Arkin
- Richard Crenna
- Efrem Zimbalist Jr.
- Jack Weston
- Samantha Jones
- Julie Herrod
- Robby Benson
- Jean Del Val
- Mel Ferrer
Did You Know?
- The role that eventually went to Alan Arkin was difficult to cast because the producers couldn't find actors willing to be cast in such a villainous role - not only terrorizing a blind woman, but terrorizing beloved Audrey Hepburn to boot! Alan Arkin later went on to say how easy it was for him to get the role because of the reluctance of other actors to take it.
- The time in between when Mike leaves and Carlino reappears is too long. Mike and Carlino chat with each other quickly about a strategy, and Carlino leaves. In this time, Susy has already changed, cleaned up, found the doll, and conjured up a plan with Gloria. If Carlino was supposed get there right after his conversation with Mike, Susy wouldn't have had the time to do all these things. Furthermore, it seems that he looks through the window after some time, even though he is supposed to be visiting Susy.
- Roat: Did you know they wanted to kill me? I did. I knew even before they did. They were awful amateurs, and that's why you saw through them.
- Susy Hendrix: I saw through you too.
- Roat: No, not all the way, Suzy. Even now, not all the way. The lovely thing was the way I let them set it all up. All that silliness of meeting in the parking lot, the whole thing, they had comic book minds. So, I let them do it their way, right up to the very end. And then, topsy-turvy. Me topsy and them turvy.
Atom User Reviews
Miss Hepburn is perhaps too simple and trusting, and Alan Arkin (as a sadistic killer) is not particularly convincing in an exaggerated performance. But there are some nice, juicy passages of terror, and after a slow start the plot does seduce you.
When the lights go out at the end of the film, so did the lights in the movie theaters.Terence Young’s tense cinematic adaptation so ruthlessly tightens the screws of tension that one could be forgiven for not noticing an earthquake, much less dimmed house lights.
An outstanding thriller based on a stageplay (by Frederick Knott) that fits so much better on the screen because, as well as the expansive, cinema is really good at claustrophobia.