Three Colours: Red is the trilogy’s anti-romance, depicting an unconventional love story blossoming against the insurmountable obstacle of age – perhaps the most adventurous and personal of the trilogy,

Patrick Gamble

CineVue

With music by Zbigniew Preisner, it is an almost supernatural contrivance: brooding on coincidence, fate and the insoluble mystery of other people’s lives, with some cosmic parallels and existential echoes that recall his earlier film The Double Life of Véronique. And all in a tone somehow both playful and laden with gnomic seriousness.

Peter Bradshaw

The Guardian

This is the kind of film that makes you feel intensely alive while you're watching it, and sends you out into the streets afterwards eager to talk deeply and urgently, to the person you are with. Whoever that happens to be.

Roger Ebert

Chicago Sun-Times