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Cummings is a unique talent; Snow Hollow is just an awkward fit, beyond the ways he intends.
Rather than clang with the innate savagery of the werewolf niche, Cummings’ command over his material gives the film a certain freshness. He tames the monster in the man so that the man is all that’s left, for better and for worse.
The Wolf of Snow Hollow aims more to be about its small village, but in reality, it’s more about how frayed police officers, especially men, abuse their privileges. It’d be a great vehicle to skewer these topics if the pieces fit together, but they don’t.