While The Sonata has no shortage of gripping moments, it’s still missing the weirdness and stylishness that made the similarly themed “Rosemary’s Baby” or “The Frantic” classics.

Asher Luberto

The Playlist

It’s Looks 10, Personality 4, however, as director Andrew Desmond and collaborator Arthur Morin’s screenplay doesn’t quite provide enough incident to properly milk its own premise, making for a supernatural thriller that ends just as it’s beginning to work up a sweat.

Dennis Harvey

Variety

While the director clearly has a few tricks up his sleeve for hitting his viewers with the heebie jeebies, what he doesn’t have, at least for The Sonata, is a sense of how to weave those tricks into a unified, cohesive narrative.