Chopra and Akhtar have great chemistry, and though the nonlinear storytelling is somewhat unnecessary, Bose deftly manages the challenging tonal shifts within this lengthy film that never drags.

Katie Walsh

Los Angeles Times

The fantasy of The Sky Is Pink is that Aisha’s death allows her to see her mother with adoring omniscience, and the film is never more pleasing than when it revels in the glamorous melodrama of a superstar performing motherhood.

Teo Bugbee

The New York Times

The ending is unforgivably mawkish, though, and the running time of two-and-a-quarter hours is simply too long.

Cath Clarke

The Guardian