Rather than including people with their politics, the filmmakers depend on flashy sleight-of-hand, distracting us with a deceptive narrative trick that isn’t nearly as fresh as they think.

The cumulative assassinations begin to ache like a mysterious bruise, making the audience feel the psychic weight of living in fear. Yet, the style of the film is more teen soap opera than vérité miserablism.

Amy Nicholson

Variety

It may use broad strokes at times, but it never loses its purpose to illuminate our double standards or naiveté towards them. Change really does start with something as simple as Tunde’s request to be heard.

Jared Mobarak

The Film Stage