Lacking a precise balance of amiable entertainment and intense thrills, the director and producers fail to rein in violent fantasies that spoil what could’ve been a heartfelt and clever romp exploring family dysfunction.

Erik Nielsen

The Film Stage

While some of the in-your-face attempts to combine YouTube videos with animation are jarring at best and annoying at worst, the cautionary stabs about unregulated big tech that come alongside are no bad thing, nestled within the framework of a brightly coloured kids movie. It’s also genuinely funny, a credit not only to the hit-a-minute script but also to a finely picked cast of comic actors

Benjamin Lee

The Guardian

However you slice it, this is the rare CGI movie that radiates its own kind of inventive beauty, slick without feeling plastic, and the artistry that made it possible deserves to be celebrated on its own merits.