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Biller explores female fantasy in the most diabolical of ways imaginable and gender politics are dissected with a brutal honesty that could infuriate some feminists with its observations.
If The Love Witch simply raised the profile of its director, Anna Biller — a true auteur who not only wrote, directed, produced, and edited this film but also designed and hand made its sets and costumes — then it would be a success.
The fact that the films that serve as her models often sported the same flaws doesn’t excuse this fairly poker-faced spoof’s sometimes borderline-torpid pace and disappointing fade-out.