Atom User Reviews for The Last Voyage of the Demeter
it was interesting but slow burn
You can skip this one and stream it later.
Suspenseful creature-feature with a slow burn worth every second.
Great interpretation!
A very great movie, I was surprised by some moments. It was great.monster, I give people the props for the makeup and the looking boat. IGNORE the NEGATIVE comments and go see it for your self……
Not bad, but you won't be disappointed if you just stream it later.
Wait til it comes out on streaming services, not worth theater pricing
Great depiction of the account of the last voyage of the Demeter.
🩸
It was a great movie. However, they did not figure out how to defend themselves against thr vampire.
best movie of the year
Slow starter but great story line. Will see again!
Decent movie. I've been wanting a good vampire movie, The Last Voyage of the Demeter, which satisfies my thirst for vampire movies. I thought the cast was good. Good CGI, better than the Flash, that's for sure.
Good show.
Much better than I thought it would be. Good characters and a scary monster.
I haven’t seen a good vampire movie in a long while. It was great!
This is a must see for any scary movie fan!! Phenomenal from beginning to end. I only recognized the captain from other movies, but the rest of the cast was great. I am not sure why it got low reviews. I always love a good scary movie, and or vampire movie. This one sets a high bar, most enjoyable.
Good but not enough scary scenes.
Ending sucked!
Film was ok. Expected a bit more. Horror films are not scary anymore. This film was boring and slow. You can’t wait until it streams to see it.
Great movie, but there were a few creative liberties that I felt did disservice to the book.
wait for free streaming
poor editing, repetitive score, bad screenplay—couch and a mustache kind of movie
Metacritic
Despite this unevenness, there’s a lot to love in The Last Voyage Of The Demeter for horror fans and casual moviegoers alike.
The Last Voyage of the Demeter should delight horror fans raised on Boris Karloff and Bela Lugosi, and offers an R-rated bite of vampiric brutality for genre fans with a stronger bloodlust. Øvredal does well to transport his cast to a time when scary stories were told around lanterns in the dead of night, and even if the moodiness evaporates due to a protracted runtime and the foregone conclusion of Dracula’s landfall, the director accentuates the basics of violent feeding sessions in hair-raising fashion.
For all the ways Botet and company put their hearts into giving it some life, the film is persistently defined by death of not just its characters, but of creativity itself.