With a popular subject, and some downright corny visual devices, The Inventor doesn’t knock it out of the park as neatly as some of Gibney’s other works. Still, it’s a worthwhile and damn entertaining addition to the developing Elizabeth Holmes canon that makes up for its flaws with undeniable watchability.

Lena Wilson

The Playlist

The Inventor: Out for Blood in Silicon Valley offers tidy, compelling, and continued proof of Gibney’s skills in the art of delineation.

The Inventor becomes less an exposé of white-collar crime than a study in the power of self-delusion and corporate megalomania. Gibney’s methods are simple but often brutally effective.

Justin Chang

Los Angeles Times