4
3
1
1
0
In this brilliantly sustained climax, Coppola unveils a vision of corruption that embraces the entire world, but he's also reveling in sheer theatrical magic in a way that only a master can.
It's hard to tell if this thing's serious or parody and, if it is parody, whether or not it's intentional. Is it a winky joke, for instance, to have lightweight performer George Hamilton as Pacino's business attorney, or just ridiculous casting? Hamilton's performance points to the latter.
The main performances are generally weak, although the smaller ones are sometimes brilliant, and the yarn never builds much momentum as it leapfrogs from one subplot to another. [28 Dec 1990, Arts, p.14]