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From the flat battle sequence that’s shot with all the excitement of folding laundry, to the literal chess match that anchors the underwritten dynamic between Berg and his target, The Catcher Was a Spy shrugs through each bad scene as though it’s biding time for better ones to come.
Ironically, the film is conspicuous not for its brio but its blandness.
The film isn’t a home run, but with Rudd in the lead in something so out of the ordinary for him, it’s fair to call a ground rule double.