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Taxi Driver (1976)
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Movie Details
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Videos & Photos
- Trailer for Taxi Driver (03:12)
- Trailer 1 (02:07)
Movie Info & Cast
Synopsis
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action.
Cast
- Diahnne Abbott
- Frank Adu
- Victor Argo
- Gino Ardito
- Garth Avery
- Peter Boyle
- Albert Brooks
- Robert De Niro
- Jodie Foster
- Cybill Shepherd
Letterboxd User Reviews
4.1
3.1M
477.7K
1.1M
- Feb 19, 2021
when he takes you to a porno movie 😍
MurielMay 27, 2015How to Get Laid: The Travis Bickle Method. 1. Find a girl. Any girl will do. Doesn't matter if she's already dating someone else or not. 2. Offer to take said girl out for a lunch date at a diner. Ask girl out for future date at said diner. 3. Take girl to a movie.…
Wesley R. BallNov 8, 2021Killing myself in front of an underaged prostitute to drastically change the trajectory of her life
Megan Bitchell - May 22, 2020
“You have to understand, that mohawk is SUPER ahead of its time” - my dad
KarstenFeb 18, 2019Travis in the rear view mirror be like ◼️ ◼️◼️◼️◼️◼️ ◼️ 👀 ◼️ ◼️◼️◼️◼️◼️
RubenJul 17, 2018jazz music? rewarding ending? COLORS? Yeah, this is great.
Karsten - Sep 3, 2020
he drove a taxi in this one for sure
oleffSep 20, 2019added to my mental list of protagonists that i hope no one idolizes
raiNov 13, 2019Imagine being a taxi driver before gps was invented and knowing your way around like that dude what
kayla
Queue Community Reviews
86%
Community 23,810
Top Reviews
- Jonquella dislikedTaxi Driver
This world exists with two types of people. People who can’t stand this movie, and Liars!
Haley Mastronardi is "meh" onTaxi DriverJoker definitely took A LOT of inspiration from this. It was an okay film; definitely a hot take. The storyline between Travis and Betsy went nowhere; I didn’t care for it. It jumps storylines a bunch. Trying to kill the president, why? A 2 hour film that could have been shorter.
Noah dislikedTaxi DriverThere is no way you watch this in the 2020’s and think this is good. Just because it’s a “classic” and other people tell you need to like it, doesn’t mean you need to like it. Y’all are sheep
- Jacob Hall lovedTaxi Driver
an absolute classic. the start of a legendary career for scorsese. 10/10 movie idc what anyone says
Dasch is "meh" onTaxi DriverI expected too much of it
JuanBL likedTaxi DriverIs good yes decent 7/10
- Crimsonen likedTaxi Driver
A pretty good movie, but a movie with no flaws doesn’t mean it’s great. A movie that is great deeply affects me after watching it. But this movie has no major flaws except the lackluster plot. Probably has a lot of hidden meanings that I didn’t pick up. But a very good film. 8/10
Cyclical likedTaxi DriverI think this is pretty objectively a good movie, but a lot of it just didn’t work for me. To start with the good, I think Robert De Niro was fantastic in this role. He plays this character so well, and you completely buy into the mentality and emotions of this complex character. Everything from a…
Pluto lovedTaxi DriverIt’s a freaking classic !! Martin Scorsese directed it back in 76 and Robert De Niro plays the lead character Travis Bickle a lonely taxi driver who’s a little bit off his rocker. He’s becomes obsessed with rescuing a young prostitute played by Jodie foster from her grimy life. X
Atom User Reviews
Metacritic
Taxi Driver is a disturbing, frightening film, but it has the desperate excitement that goes with its vision of the city. Scorsese's verminous New York is a descendant of Baudelaire's anthill Paris, Eliot's unreal London, the nightmare Berlin of such German films as Fritz Lang's M. In this vision the great modern city is the crossroads where fenced-off forces break loose and collide. The overworld and the underworld embrace each other in a dance of mutual lusts that can only lead to violence. [1 Mar 1976, p.82]
Jack Kroll
Newsweek
Scorsese’s direction always keeps us uncomfortably close to Travis’ subjectivity, whether we’re prowling night time Manhattan or gazing into a glass of Alka-Seltzer until the whole world disappears into the healing hiss.
John Bleasdale
CineVue
Hitchcockian unease permeates the film, but so too does a Godardian use of space and a Bressonian focus on obsession heighten the mounting sense of dread. These elements are groovy for film buffs but are mere icing on the proverbial cake; you don’t need to be in the know to relish Scorsese’s mastery of the form, and what may astonish even more than the creative prowess is how compulsively entertaining the results are.
Rob Humanick
Slant Magazine
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