Suspicion (1941)
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Synopsis
Cast
- Cary Grant
- Joan Fontaine
- Cedric Hardwicke
- Nigel Bruce
- May Whitty
- Isabel Jeans
- Heather Angel
- Auriol Lee
- Reginald Sheffield
- Leo G. Carroll
Letterboxd User Reviews
- Sep 1, 2018
never trust a man whose pet name for you is "monkeyface"
s. millJul 8, 2019if i am killed by cary grant DO NOT PROSECUTE CARY GRANT because HE caught ME slipping!!! that is on me!!!
eelySep 11, 2020Suspicion is a mid-tier Hitchcock, but aside from the utter cop-out ending I liked it a lot. It's well-made melodrama that gradually turns into suspense thriller. The milk scene was absolute masterful. The film is elevated by Joan Fontaine’s Oscar winning performance, she…
Nakul - Nov 26, 2021
Red flags don’t exist when it’s Cary Grant
nickDec 29, 2021Monkeyface, I've been broke all my life.Eight words every woman wants to hear.
KrautsalatSep 13, 2014Frustrating, but more interesting than simply calling this "failure" suggests, especially aesthetically. Dave Kehr rightly calls us to "note [Hitchcock's] subtlety in establishing the menace of the Cary Grant character by never allowing him to be seen walking into a shot."…
Peter Labuza - Jul 24, 2020
Yeah you guessed it, that glass of milk was brighter than my future
luviAug 18, 2016"You mustn't mind Johnnie cutting up. That's what makes him Johnnie." Hitchcock is probably no one's idea of a feminist filmmaker, but this is such a clear-eyed view of the way a ruthless charmer like Cary Grant's character can prey on, manipulate, and bully the women in…
JoeOct 22, 2017wish cary grant would do my hair
lucy
Queue Community Reviews
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A quirky little early Hitchcock entry with a masterful air of prolonged tension and paranoia in the back half. Cary Grant & Joan Fontaine are both terrific. The first half plays more like a depressing study of an unhealthy marriage. Interesting still, but not the most enjoyable.
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Metacritic
Marred by a blatantly artificial English countryside and by a somewhat clichéd story, it's nevertheless a supreme example of Grant's ability to be simultaneously charming and sinister, and of the director's skill with neat expressionistic touches (most notably, the glass of milk).