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With shimmer, shadow and verve, Stress Positions . . . captures the often hallucinatory pandemonium wrought by that “long-ago” moment.
This is funny to a point, but the problem with “Stress Positions” is that said point arrives about halfway through. The runtime that remains gets overloaded with too many plot threads, characters, and repeated punchlines, Hammel essentially turning the proceedings into a failed exercise in Blake Edwards-style farce.
The film is an insightful look at modern discontent and the pandemonium that it breeds.