The film is an insightful look at modern discontent and the pandemonium that it breeds.

Steven Scaife

Slant Magazine

Amid Hammel’s acid-tongued approach and jaundiced eye, there’s a lot of intriguing potential; after all, cinema that imperfectly confronts is oftentimes more interesting than comfortable competence.

Its scrappiness is what brings the charm à la the early work of Madeleine Olnek. Random attempts at depth detract from the final product rather than add to it.

Lena Wilson

The Film Stage