If the film has a weakness, it's an ending that's so vague and open to interpretation that it's not at all clear how director Andrew Wagner ultimately wants us to feel about these self-absorbed characters and their precious literary concerns. But the performances carry the day.

William Arnold

Seattle Post-Intelligencer

Part of Morton's achievement is to present all four people through the viewpoints of the other three; Wagner can't do that, but the performances are so nuanced that the characters remain multilayered, and they're not the sort of people we're accustomed to finding in commercial films.

Jonathan Rosenbaum

Chicago Reader