43
49
40
11
10
The ending Sucked💭😗😗
It could have been better. It did not deliever the magic.
It’s an auspicious debut from this up-and-coming filmmaker, who once worked as a receptionist for J.J. Abrams’ production company, Bad Robot.
You’d hope that a film like this could put a bold new spin on the superhero story. The reverse is true: Here we are in 2017, and even our nifty low-budget crime movies are building a cinematic universe, and saving the best stuff for the sequel.
Dillard’s auspicious shift to features reveals an imaginative young filmmaker prepared to take manageable risks in pursuit of his personal vision.