Remake
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Letterboxd User Reviews
- Jul 14, 2026
Yeah this was an extremely moving portrait of Adrian and Ross’s life over the last 30 years, appreciated that there’s still some levity sprinkled throughout but yeah it’s horribly devastating to watch. This and Blue Heron would make the saddest double feature ever but…
Jared GilmanJul 3, 2026People who film everybody they know are like, "why does everyone hate me? Maybe if I keep filming them I'll find out."
Jack MoultonJul 29, 2026ANYONE FAMILIAR WITH the works of Ross McElwee knows the man on pretty intimate terms. He’s spent four decades filming himself and the people around him, often to their annoyance and our amusement. The autobiographical approach to the many subjects he explores fills each…
Carl Russo - Jul 10, 2026
Ross McElwee’s new documentary, “Remake,” which premiered at the 2025 Venice Film Festival, suggests, by its very title, a return of sorts to a prior property. Such market expectations wouldn’t be wholly wrong: the film began as a making-of project of Steve Carr’s hopes for…
Robert DanielsSep 8, 2026Remake is a deeply personal documentary about memory, grief, family and the complicated relationship between a filmmaker and his camera. What makes the film so effective is the amount of time McElwee has spent filming his family. We watch his son Adrian grow from a happy,…
Johnny BrandoSep 2, 2025As I Was Moving Ahead Occasionally I Saw Giants Squids
Bernardo Paganelli - Sep 5, 2025
I don’t remember ever having such mixed feelings about a film. It’s a deeply personal and emotional piece of art but I also believe it to be very troubling. Ross McElwee is honest, yes. He does show his weakest moments quite bravely but there is a part of this film that’s…
AdamAug 12, 2026manages to be exceptionally funny and devastating, somehow moving from the director of Paul Blart remaking Sherman’s March (ridiculous) to unfathomable grief — McElwee may have influenced everyone making docs now but he’s still the best at it
Justin LaLibertyOct 18, 2025I rate it this not because of the quality or force of the film, but because of the slippery feeling of spiritual loss that underpins the film. I think here filmmaking becomes a really deeply tragic blindness. What are the repercussions and boundaries of the relationship…
Léna