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During the Q&A after the screening, Pegah said something quite striking in response to a question from an audience member about the future of Iran as it stands today: “Our people are trapped in a cycle of despair and hope.” And I believe that sentence perfectly encapsulates…
I think we in the west sometimes think of events in far away countries in politically precarious situations as bullet point news items, so I appreciated how personal it was able to make the events it covered as they related to filmmaker’s life, and I found it pretty…
I thought this was quite effective. Director Pegah Ahangarani does a good job of weaving together the material in an engaging way. I appreciated how personal and intimate it felt.
Ahangarani shares five stories of Iranians she loves, who give her courage to persist, to continue to resist, and to grow new love for the future. It’s a beautiful and heartbreaking piece of work. It’s unfortunate that she wasn’t able to be present for its first American…
I love archival docs, and this one was so personal and so poetic and so infuriating. TIFF 2026 - #42
Parts of the this doc are very moving and the stunning photography in part 1 along with the shockingly raw footage of the 2009 protests and the doomed story of Rashid were particular highlights. What this film does best is straddling the personal and historical.…
چه فرق میکند وقتی قصه را در قالب قصه تعریف میکنی یا در قالب مستند؟ فرق میکند. یک فرق بزرگ. وجود «ادعای واقعیت» که با مستندسازی گره خورده، اما در رئالیستیترین فیلم داستانی هم جایی ندارد.نگاهم به ادعای واقعیت، آرمانگرایانه نیست. با در نظر گرفتن این که اوصولا واقعیت امری…
A filmmaker examines her country’s history through her own personal history to emotionally devastating effects. I’m am absolute wreck.
Hearing the people behind me whispering in Farsi and crying silently beside each other was probably the best way to experience this film. The pain is there, in the movie, but also right there in the room with Mac and I.