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Redoubt is slow going but not uninvolving. Barney’s filmmaking is less about the manipulation of image, or the roiling power of editing to create emotional states, than it is about dutifully documenting what he’s created, what he’s seeing, what’s on his mind.
Matthew Barney re-instills nature with some of the mystic aura that modernity, with its technologies and techniques of knowledge, has robbed it of.
Redoubt reaches for intimations and apprehensions of the cosmic.