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"I have to go on making a living so I can die."
Richard Widmark sneakily accessing the microfilm machine at the New York Public Library = me opening an Incognito browser window to view paywalled content.
The dirty New York reflects a nation’s paranoia. A feverish portrait of post-war America, where anti-communism flowed from headlines into fiction. At the height of McCarthyism, when any minimal and distinct change outside the “normal” could be read as a threat to the…
pickup on south street is the kind of film that finds beauty and complication in the prosaic, the every day folks that exist in the liminal spaces of life just trying to get by. these people are rough hewn, venal, cunning. what’s most interesting in rewatching pickup this…
The grace and delicacy with which Samuel Fuller portrays marginalized people is one of his greatest strengths as a director, and it's something which has never been more apparent than it is in Pickup on South Street, a film he also wrote. Never either condemning or…
A political, unintentional(?) statement that may break free from patriotism. The Reds are unusually red, but who exactly is painting them that color… hmmmmmmmmm. One thing that is practically tangible is Fuller’s own handwriting... his screenplay, because the patriotic…
The expressive elements of noir become social realism in a crackerjack hell of a film. Thelma Ritter for MVP.
Marginalized people and their world. In the middle of it there’s a pretty effective thriller plot predicted on ways people get split against each other. But what really remain are the faces, places, the dead endness of it all, it is accepted desperation. Kiley villain is a…
"Do you know what treason means?" "Who cares?" The US government concocts a paranoid fantasy of a foreign enemy to distract from the growing crime and poverty at home. "Look, what do you want from me, Tiger? Do I personally raise the price on hamburgers and pork and…
My first film noir! I loved this one!