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Ashkenazi is a terrific actor, commanding and grand-scale in his aura, but with an unmistakable warmth. And Gere, cast against type, couldn’t be better. In a career of only good performances, this is one of his best.
As involving as the story is with its impressive ensemble cast, “Norman” is above all a showcase for Gere’s substantial talents.
In a sense, what we’re watching is a classic con-artist movie, built around someone who plies his shady trade not for money but esteem—the feeling that he matters, that his name carries weight.