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It’s a compassionately constructed film — it never looks away from the agony before us, and the subject is of the utmost importance.
The film is consistently gripping and harrowing, while including delicate moments of optimism, where Abraham and Adra enjoy quiet conversations (sometimes beautifully shot by Szor) over a hookah pipe at night. And then, inevitably, it is back to violence, conflict and hate.
It is a story about power and it needs to be told.