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可能對我而言一個最大問題是,為何受難者家屬的故事都隱沒在石橋英子的音樂之中。(還是有很多的不解,待寫)
I believe if I had known this was a research project ahead of a feature film, aimed at displaying the process and approach to making the film, I would have looked at it and rated it differently. As it was I found this quite obscure and hard to see through, despite being…
True advocacy filmmaking
A daring approach to the 2010 massacre in Thailand, sadly, it was not a good one. This film has the right subject and issue, but the execution is very poor. The moderator and her methods felt very out of place compared to the conversation and subjects, almost like I’m…
j’ai rarement vu moins engaging c’est comme si on faisait une fresque de la santé mentale pendant la journée d’appel
speaks back to by the time it gets dark when ann interviews taew, whose character eludes spectacular testimony until the end when a real account breaks through the narrative apparatus. not sure how intentional, but recalls the history of film’s psychoanalytic clinical…
2.5 - heavy subject matter and respectable effort, but poorly executed to the point of seeming inappropriately neutral, sanitized, & surface-level q&a with director Anocha Suwichakornpong - this is a prologue/research project for the upcoming feature project - choice of…
Being part of the Section 'Forum Expanded' at the Berlinale, I did expect something quite experimental. I liked how this piece plays with giving and refraining from giving context. But at the same time the lack of overall context is unfortunately what is costing this film a…
🤔