Sen, who also handled both the black-and-white cinematography and the editing, has a terrific eye for shot composition and sets a deliberate pace that feels implacable rather than merely slow.

Elisabeth Vincentelli

The New York Times

I was wholly taken in by the forlorn setting and by the racism subtext in play here. But too little happens in “Limbo” for my taste, and there’s a fine line between “patient” storytelling and a film so slack in its pacing as to lower the stakes and test the viewer’s patience.

Roger Moore

Movie Nation

The cinematography solidifies the film’s status as a noir grappling with corruption and probing moral grey areas, while at the same time echoing visually the stark divisions between white and Indigenous people in Australian society.

William Repass

Slant Magazine