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At times, it feels as though it has emerged — dusty, tattered, and beautiful — from the storied earth of Italy itself.
La Chimera is a film that utterly occupies its own fictional space; it expresses its eccentric romance in its own fluent movie dialect. I was utterly captivated by this sad, lovelorn adventure.
O’Connor’s exquisite performance seems to channel Harry Dean Stanton’s haunted turn in “Paris, Texas”; less wraith-like in its physicality, but similarly intangible, like a man being played by his own shadow.