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The movie is a throwback to an earlier era of documentaries, when filmmakers did not feel obligated by commercial pressure to give their film the shape of a thriller, a sports film, a mystery or anything else, but instead simply brought their cameras into people's lives.
In Transit is a pure dose of the humanism that helped establish Albert Maysles as one of nonfiction film's key voices.
The film's thematic organization suggests the cinematic equivalent of a short-story collection, with haunting tangents and stray notes of poetry.