Had higher hopes for this, definitely will not see it again.

Clearly the team only knows how to shoot a trailer and not a film. It feels like pieces and pieces glued together and the whole thing doesn’t really flow well. Too much could be delved deeper into but somehow they just leave it that way - broad theme with few details to it. Ending is abrupt and confusing…next time when you let a protagonist scream like the world is collapsing please make sure they don’t do it for a whole minute. It’s tiring for the audience to even stay focused.

save your money. boring and not scary at all

ending got exiting then it abruptly ended

Is not a very god movie. Is bloody tho. Plot is weak

Going in with zero expectations and coming out with my mind blown honestly one of the best piece of work that Sydney Sweeney has made

I had little expectations… I was expecting to see something paranormal (I hadn’t seen any trailers or anything related to the film prior), what you get instead is an absolute bloodbath… I mean wow. Awesome cast too.

The performance the end left me in awe!

Jump scare fest with a lack luster story. Your typical nun horror movie

loved it! Sydney did so good!

her best performance yet

Some gore.

Great actors, plot was a little unorganized.

going to church.

All I have to say is RED HEAD AND TITTIES!! Great movie, for the most part had us watching the whole time. Got scared 3 times. And it’s got gore

Wow. How disappointing. This movie was bad. I walked out of the theater trying to figure out what I just watched. It was corny and the storyline was horrible. Don’t waste your money. Wait until it comes on streaming.

Creepy church, sketchy nuns; What more can be said. Solid scary movie.

Pretty good movie and violent! Some gaps in the story but a good watch.

Mid

not really scary at all. i expected more. the plot was kinda all over the place but it wasn’t a bad movie.

Despite the best efforts of DoP Elisha Christian to create a striking visual identity, the film ultimately brings little to well-trodden cinematic ground, even in its hell-for-leather finale.

Sweeney ably carries the film on that level, though there are beats courtesy of director Michael Mohan and screenwriter Andrew Lobel as likely to elicit uncomfortable chuckles from the audience as fear.

Immaculate doesn’t try to reinvent anything but instead cheerfully embraces the familiar, which is part of what makes the movie enjoyable.

Manohla Dargis

The New York Times