Mostly, this is a film of intriguing, maddening loose ends.

If you come to this film looking for a brisk overview of his achievements in couture, you might find High Low more than serviceable. . . But if you’re expecting the definitive closing leg of the redemption tour, it’s unlikely you’ll find this a persuasive argument for separating the art from the a-hole.

David Rooney

The Hollywood Reporter

Macdonald has crafted one of the most riveting rise-fall-redemption story arcs in documentary format in recent memory, with Galliano himself as his unreliable — but never less than compelling — guide.