Go see this movie. See it right away.

At Gook’s best, Chon captures, with sharply memorable dialogue, both the essence of his particular characters but also the broad drift of generations.

Alan Scherstuhl

Village Voice

The images of polo-shirt wearing Asian men with rifles lining the rooftops of Koreatown is one of the more troubling images from April 1992. Gook purposefully chooses not to tell a story of that scale, but I did wish it could have found more moral complexity in the corner of the city it chose to depict.

Emily Yoshida

New York Magazine (Vulture)

Justin Chon fumbles the take on how his characters' anger fits into the greater landscape of a L.A. during the aftermath of the Rodney King beating.

Clayton Dillard

Slant Magazine