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哈囉 做愛不能解決問題欸
全片如同片名,淺直白俗,只有''前文本'',欠缺淺文本… 如果想祭奠前30年的迷茫、壓抑和衝撞,類似的情緒+旁白,考慮用 8mm 底片拍攝,也許還能多一些美感、氛圍和''耐看性''… 如今一切都像MV或電視電影,看得出導演刻意想做浪漫或青春疼痛,但就似那幾場親密戲,硬生生插入,非常粗糙和粗暴… 性別轉換,如果女主角是男生,尤其大學那段,應該會被罵渣男 / 海王 / 自私鬼 / 巨嬰… 18歲前的資優生,得獎無數,活在白天…
these reviews… 💔 tough crowd… maybe im easily pleased by queer storylines in chinese films bc growing up it’s something I didn’t even know existed (as an abc). I thought the storyline was pretty realistic… not everything has to be (or is) #cottagecore sunshine and…
角色很立體很討好,但故事和剪接一言難盡。 我對「平凡、不平凡」這個命題沒有太大感覺,但我對世人掙脫世俗枷鎖、真誠面對自己所思所感的過程很有興趣,前者是外人加諸於己的那把多鳩餘的尺,後者是了解自我身份、與自己妥協的一個過程,沒有完的一日。 幸好故事所蘊含的比命題多。 三段時間,三個故事,流水帳表達可以突顯角色的成長和變化;倒序則可以增加整體張力,讓觀眾尋找和思考主角結局和性格的源頭,像李滄東的《薄荷糖》(1999),但條件是開段有些既吸引又難解的迷團。 三個成長階段,最喜歡許恩怡那部份,是感情變化最完整的一段。網上影迷最喜歡鄧濤一段,但我…
Inverse chronology is far from a new instrument in the magical moviemaking toolbox, but as more films become reliant on the decreasing novelty of telling a film in reverse order, the increasing novelty of their motivations behind its potential begins to assert itself with…
4分可能有0.5-1分係我濾鏡🙏🏻…
睇得出係導演自己故事但文本真係幾薄 而且以同志片黎講拍得太過stereotype了 好彩演員們之間既火花幫左好多 香港part好靠fish同jennifer本身既默契同CP感 唔係既話忽然買樓+假結婚依兩個衝突位都幾莫名奇妙 台灣part又名沒有什麼事情是做愛不能解決的(? 而且個人覺得韓寧搶戲過鄧濤 澳門part果種情竇初開拍得幾有feel 只係natalie講野個tone有d出戲 劉漪琳個演譯完全付合我心目中既百合大姐姐( 最估唔到搵yan b做壞壞的表姐
my intuition is telling me the director has a crush on fish… those first ten minutes of her just ruffling her hair and struggling was so necessary like yes!!!! show me flop4flop freak4freak lesbian realness LOVE THAT
dragged my bf to a media event to watch this and he was the only man in a sea of lesbians (he wasn’t complaining tho). anyway i got to interview tracy choi a couple days later and she was the best, CONSIDER ME A FAN