If the ending of Eleanor Bergstein's script is too neat and inspirational, the rough energy of the film's song and dance does carry one along, past the whispered doubts of better judgment. [14 Sept 1987]

A shapely film, considered and concise. And if its rhetorical slickness eventually covers up its emotional core, that slickness has a pleasure all its own. [21 August 1987]

Dave Kehr

Chicago Tribune

Before the movie collapses into the utopian nonsense that seems obligatory to this subgenre, a surprising amount of sensitivity and satirical insight emerges from Eleanor Bergstein's script and Emile Ardolino's direction.

Jonathan Rosenbaum

Chicago Reader