Atom User Reviews for Dirty Dancing 35th Anniversary

4.9 out of 5
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Verified Review
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#lovestory

love seeing the old movies on the big screen.

KH
Kimberly H
Verified Review
#allthefeels
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#epic
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#great
#mustsee

love this movie even better on the big screen

AS
Aubrey S
Verified Review

For my 16 year old daughter that absolutely LOVES the 80's & thinks I grew up in the best time ever, it was the best surprise gift I could give her to see this favorite on the big screen. Her words exactly were "I'm getting to live as close as I can to my best 80s life right now!!!". This was an absolute mom win for me!!! Plus the fact that this was my 1st PG13 movie groing up....I loved reliving my youth too. Thank You for bring this to the theaters!!!!!

JD
Jaclyn D
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Loved this movie, the first time all the way up to the 35th Anniversary and will continue be one of my many favorites of Patrick Swayze’s.

DP
Debra P
Verified Review

The legendary great late, Patrick Swayze! what is not to love?! Dirty Dancing transcends generations! Being born 2years after it released, it was amazing being able to see it on the big screen for the first time! On my actual 33rd birthday! 😍🎉🤩🥳

NV
Niah V
Verified Review
#ifi

If I could leave zero stars I would have. At 3 pm when the movie was to start we were informed that it was canceled but no explanation why. I won’t be using ATOM ever again.

LC
Laura C
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#greatdancing
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Brings back memories of the Catskills in the 60's.

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Konrad S
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Wendy B
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Terry H
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Terrie S
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BY
Beth Y

Metacritic

70

If the ending of Eleanor Bergstein's script is too neat and inspirational, the rough energy of the film's song and dance does carry one along, past the whispered doubts of better judgment. [14 Sept 1987]

Richard Schickel
Time
75

A shapely film, considered and concise. And if its rhetorical slickness eventually covers up its emotional core, that slickness has a pleasure all its own. [21 August 1987]

Metacritic review by Dave Kehr
Dave Kehr
Chicago Tribune
70

Before the movie collapses into the utopian nonsense that seems obligatory to this subgenre, a surprising amount of sensitivity and satirical insight emerges from Eleanor Bergstein's script and Emile Ardolino's direction.

Metacritic review by Jonathan Rosenbaum
Jonathan Rosenbaum
Chicago Reader