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Synopsis
Cast
- Juliette Lewis
- Mamoudou Athie
- Samantha Mathis
- Robin Tunney
- Alisa Torres
- Clifton Collins Jr.
- Keir Gilchrist
- Madison McKinley
- Miranda Bailey
- Cristo Montt
Letterboxd User Reviews
- Jan 23, 2025
I'm literally sat
bbJan 24, 2025The Substance if Margaret Qualley was a chair
JordyJan 30, 2025sundance 2025 (virtually) yes, the premise is exactly how it sounds amanda kramer is definitely a director to look out for, I can’t wait to check out more of her work. a unique weird & bizarre take on the body swapping concept. slow paced but the costume design &…
joe - Jan 31, 2025
Mamoudou Athie is a thespian of the highest order.
Robert DanielsJan 29, 2025What an all-time clunker. The kind of Sundance movie that would be featured in a comedy spoof about Sundance movies. After an amusing beginning, By Design quickly devolves into an endurance test for the viewer. Solid cast, cinematography, production design, but it’s all in…
Brian RoweJan 23, 2025Tap dancing rapist was a seriously underrated moment. Anyways, I actually found myself tearing up at the end. What an incredible metaphor for wanting to feel desired so badly that you allow for yourself to be used :(
theworstguy - Jan 25, 2025
It makes sense that people are divided on this, but I thoroughly enjoyed my experience. By Design takes you through a sort of hellscape that sometimes vaguely, and sometimes startlingly, resembles real life. It’s absurd, dark, and sometimes laugh out loud funny. I’d much…
Brother BroJan 29, 2025would you still love me if I was a chair 👉🏻👈🏻
PJApr 29, 2025By Design hinges on an intriguing premise—Juliette Lewis plays Camille, a woman who swaps bodies with a chair and slowly realizes people seem to prefer her that way. It’s reaching for commentary on objectification and invisibility, but its execution is so muted and deadpan…
Kevflix And Chill
Atom User Reviews
Metacritic
Inspired by objectification, By Design, by design, tests the patience of viewers via Kramer’s precise direction and controlled mise-en-scène, designed by Grace Surnow and photographed by Patrick Meade Jones––unfortunately, the challenge never feels rewarding. Perhaps that’s the point: aspirational luxury sells the sizzle, not the steak.
The insights and artistic inclinations that populate Kramer’s work aren’t for everyone, and there’s a good chance By Design won’t connect with most viewers. But the alienating nature of the premise is what makes it fascinating, pushing us to question how we want to be seen and experienced as people in the world.
It’s a pointedly strange experience, sometimes annoyingly so and sometimes unexpectedly crushing, but all enjoyably kooky depending on your tolerance for this kind of thing.