Carrère, wisely I think, doesn’t turn the film into a reformist anthem. Shooting in a semidocumentary style, he allows us to absorb, along with Marianne, the relentless accretion of injustices. He also gives us some of the most believable portraits of female friendship I’ve ever seen in a movie.

Peter Rainer

Christian Science Monitor

Even when the film becomes something like a spy thriller, it never loses sight of its political themes.

William Repass

Slant Magazine

Marianne may learn to “pass” for a cleaner – kind of – but she can never experience the precariousness faced by her subjects. Her idea that these people are entirely invisible is bogus from the get-go. The script wrestles with these problems but it simply cannot overcome them.