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There is no rhythm to the movie, no ebb and flow; it's all flat-out spectacle.
It's lighter, brighter, funnier, faster-paced, and a whole lot more colorful than before.
Schumacher's method is to use a lighter touch, to stay closer to the cartoon that Bob Kane created for DC Comics in 1939 and to temper Burton's nightmare world with an accessible, brightly colored TV palette.