It’s almost as if 3D was made for this.

This is not the kind of 3-D that sees things leaping off the screen, though a few wandering wisps of smoke appear to escape the frame; it instead lends these images a sometimes uncanny, sometimes mesmerizing sense of depth. While it doesn’t feel integral to the project, it does, now and then, enrich it.

Zachary Barnes

Wall Street Journal

Wenders chooses to illuminate indirectly, and to compel the viewer to concoct questions of their own.

Glenn Kenny

RogerEbert.com