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Another tenderly executed triumph from Francis Lee, and a captivating, serrated starring performance from Kate Winslet. Ammonite is a fine feat in British filmmaking craft.
What is most puzzling about Ammonite is its dedication to playing up the ridiculous, misogynistic leanings inherent of the time while simultaneously diminishing the groundbreaking work and strong personalities of both women.
What’s missing is the vital emotional turbulence of Sciamma’s modern classic, or of any three-dimensional story of passion and feeling. The compensations here are smaller, but they’re welcome, too; they’re more about two fine actresses digging for what’s underneath the obvious contours.