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What we're left with -- Kubrick or no -- is a muddled, messy disaster of a film, something that seems more like a drastically edited miniseries, cut down to incomprehensible levels with whole sections missing.
Pure magic, a three-act movie fantasy that transports us -- as the best films do -- to a world of its own, a place of ambiguous joy and delirious terror.
Audiences may find that the deliberate, Kubrickesque pacing -- without his intellectual rigor -- causes them to tune out.