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The cinematography is amazing!
Dano shows technical promise as a director, but I hope his taste in material has a bit more range. Now that he’s gotten a rather passionless passion project out of his system, hopefully he’ll lift his gaze up in search of other, more vibrant lives—out there in the vastness, hungry for perfect lighting.
Mulligan's performance is too specific and too wrenching to be reduced to a mere generational statement. This is her most fully formed role since her performance in another early '60s piece, the British coming-of-age drama An Education, and in some ways it feels like a rejoinder, perhaps even a corrective.
Dano’s film is shrewd and exacting, composed with rigor yet alert to the rhythms of its performers.