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A oldie but goody
Perhaps the greatest compliment that can be paid to the rush of raw excitement Twister creates is that it makes it possible to ignore the painful awkwardness of the film's expository sequences and thudding dialogue of the OK, boss lady, hold your horses variety.
Twister is full of marvelous special effects. The story exists only to provide some respite between those marvels, like dialogue in an opera full of terrific arias. [10 June 1996, p.24]
A summer crowd-pleaser worthy of its wind.