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Chopra and Akhtar have great chemistry, and though the nonlinear storytelling is somewhat unnecessary, Bose deftly manages the challenging tonal shifts within this lengthy film that never drags.
The fantasy of The Sky Is Pink is that Aisha’s death allows her to see her mother with adoring omniscience, and the film is never more pleasing than when it revels in the glamorous melodrama of a superstar performing motherhood.
The ending is unforgivably mawkish, though, and the running time of two-and-a-quarter hours is simply too long.