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Finely framed by the cinematographer Kate McCullough, The Quiet Girl is an idyll, yet its placid surface is puckered by anxiety.
Foster is masterful in evoking a child's point of view.
The Quiet Girl‘s tone and form is too locked-in, never surprising. One almost wants a little more overt sentimentality to puncture the delicacy, even if a syrupy final montage seems to deliver on this, unfortunately, too little too late.