3
0
2
1
0
It’s undemanding, dramatically inert and, although class is very much on its agenda, one-dimensional in its depiction of the golfing establishment’s stuffy elitism.
Ultimately, The Phantom of the Open is one of this year’s most charming films––a broad crowdpleaser that stands a good chance of winning over even the most cynical audiences.
As fuzzy and reassuring as a multi-coloured Pringle sweater-vest, The Phantom of the Open is a good, old-fashioned crowd-pleaser.