It’s a mismatched buddy film, but not entirely unsuccessful thanks largely to Jenkins, who can play a role such as this with his eyes closed, and McGhie who captures a mixture of righteousness and despondency.

Benjamin Lee

The Guardian

One is caught between appreciating Jenkins’s soulful, empathetic performance, and just thinking “fuck that guy,” and wishing the unexpected swerve The Last Shift made was to turn to McGhie’s Jevon, to make Stan an incident in his life, rather than the other way around.

Jessica Kiang

The Playlist

Cohn, an Emmy-winning documentary filmmaker, likely was aiming for subtlety, but these are not subtle times. Trying to get a spark from a damp match is a lot harder than holding a flame to dry kindling.

Kevin Crust

Los Angeles Times